Title: September Ends
Author: Hunter S. Jones & An Anonymous English Poet
Genre: Contemporary Romance
Release Day: October 1st, 2013
Tour Host: Lady Amber's Tours
Author: Hunter S. Jones & An Anonymous English Poet
Genre: Contemporary Romance
Release Day: October 1st, 2013
Tour Host: Lady Amber's Tours
Blurb:
Overweight and dull. That’s how I felt.
My grandfather and brother died. I hid inside a black cave deep in
my soul, numbed for a decade on meds, booze, and bad love, married to
my glorious career.
My name is Liz Snow, from Atlanta, Georgia, and this is my story.
One hot summer I fell hopelessly in love with successful attorney,
Peter William Hendrix III, from Chattanooga, Tennessee. We bonded because
of Shelley and Keats. Pete introduced me to the works of modern English
poet, Jack O. Savage, It was like The Poet was drawing us together through
his blogs and poems, like he had a message for my life and my love with
Pete Hendrix.
I lived it in my heart and soul.
It all went tragically wrong once I learned Pete’s secret.
As September ends I jet to London, England with an unstable mind and
a broken heart. Pete Hendrix betrayed me big time. There was no time
for revenge. My life was a kaleidoscope of stabbing shards of pain.
London ignored me. Maybe I didn't exist. I was lost and lonely in
a flat in Kensington.
I hear that Jack O. Savage will make a rare public appearance. I wrangle
an invitation to the art gallery where he is reading. I was curious.
Somehow, he was the cause of my trouble.
The rock-star-with-words was even more damaged than I.
Jack O.Savage, The Poet became my friend.
Then, an unexpected kiss at a county fair on a perfect English summer's
day changed everything forever. Jack the man became my lover.
Magic.
My elusive dream of a lifelong love began.
If Pete was what I'd always wanted, Jack was what I always needed.
The mystery unraveled as the kaleidoscope of my broken life evolved
and I found myself living a rainbow of perfect bliss.
Sometimes when you believe it’s the end,
it’s only the beginning.
September Ends is a contemporary romance with erotic and supernatural
elements bound together by poetry. It reveals the intricate web of passion
and desire which entangles Liz Snow, Pete Hendrix and Jack O. Savage.
The story is told through Liz Snow’s diary, Jack O. Savage’s poetry,
and from letters sent across the Atlantic. Traveling throughout the
lushness of a summertime in Tennessee and Georgia, September Ends journeys
into the elegance of London’s West End and is finally settled in the
countryside of Cornwall, England, a decade later.
September Ends is a story of sin, redemption and salvation
through love
because love happens when we least expect it.
Author Bio:
HUNTER S. JONE -Novelist.
Exile on Peachtree Street.
Lover of all the finer things
in life.
The art form I create when
writing is much more interesting than anything you will
ever know or learn about me. However, since you ask, I have lived in
Tennessee and Georgia my entire life, except for one “lost summer”
spent in Los Angeles. I was always a complex kid. My first published
stories were for a local underground rock publication in Nashville.
I have published articles on music, fashion, art, travel and history.
Currently, I have a music/entertainment blog @ExPatsPost.com.
My debut novella, Fables of the Reconstruction, was published
in 2012.
Edgar Allan Poe and Anne Rice have always fascinated
me, although like any Southern girl, I will always idolize Margaret
Mitchell for writing Gone With The Wind. I also adore the works of John
Grisham, and own a huge selection of his books. I live in Atlanta, Georgia
with my husband, my books, too many clothes, too many shoes and way
too many stacks of notepads and journals.
September 2013 will see the launch
of my first novel, a contemporary romance, written in collaboration
with English author and poet, R.J. Askew.
Buy Links:
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Excerpt:
So this is what it’s like.
You see it on TV, the doctors waiting at the doors of the emergency
room. A breathing mask going over my face. “Liz,
you’re going to sleep for a while,” Dr. Crandon said. “I’ll
be here for you when you awaken. You’re going to be okay.” And your
face turning and smiling at me like the whole of my life was going to
be all right, like you were looking out for me even as you left me.
That was when I heard a howl of grief from Mom in
a distant, unknown waiting room.
Then you are there with me.
I can see you. I want to follow you, go with you, but you wave me back.
You won’t let me follow. You insist. The look on your face. The
Cherokee warrior, or is that our grandfather? Crossing a log bridge
over a ravine and you follow. I want to follow too, but you lift the
log up and tip it into the abyss. You look at me. Our eyes meet. You
wave to me. I’m weeping for you, Charles. And then you’re gone from
me forever. I breathe in the inviting darkness surrounding me. It welcomes
me with its soft caress.
Coming to, I’m waking up and it’s as if I surface
to the top of a pond, only the pond is filled with clouds. Dreamy. Ethereal.
Dr. Crandon was there, just as he had promised. Remembering
things said that I can’t recall. “Liz, Liz, you can wake up now.
You’re a lucky girl. Your mom and dad, and half of the town are outside
waiting for you to wake up. I’ll let them know.”
“What about Charles?” I whisper. Invisible shutters
cover his eyes.
“Let me send your dad back to see you, Liz.
Only one person at a time is allowed in ICU.” With that, Dr. C squeezes
my hand and steps away. The sleepy dreamtime peace creeps over me.
One of the nurses shakes me gently, reviving me. “Liz,
honey, you’ve had a concussion. I can’t let you go to sleep yet.”
Dad walks in. His lanky frame darkens the doorway.
He pauses, just a hesitation, a moment. Then, he’s at my bedside,
taking my hand.
“You’ve always been a survivor, my little girl.
I saw it in you when you were born. You were born fighting, Liz. You’re
my survivor.”
I plead with his eyes. “Daddy, why won’t anyone
tell me about Charles? I know he’s dead. When will someone tell me?”
Dad sits on the hospital bed, cups my hand in both
of his. “Yes, baby, he’s gone.” I saw your death in Dad’s face
as he admitted he’d lost you, his only son.
Then it’s about me. “You’re in rough shape,
sister. Every rib around your heart is cracked. You have a concussion
and you dislocated your shoulder. But, you are going to be all right.
You are going to be all right. You’ll have to get well so you can
help me handle your mother.”
And that’s how it’s been, Charles.
The same old story. Dad and Mom, me in the middle,
getting lost, in the way, getting it wrong, cracking up, too much of
everything, but never enough. Mom going on and on. Why did you stop
just there? Why was he driving? Why? Why? Why?
And then it started. One shrink after another. Like
I wasn’t grieving properly, or something. Like I had some new and
nasty problem that needed to be fixed. God, I needed you there. You
were the only one who could have helped me and you were gone.
All the docs wanted was the money. Write a script.
Give another pill, same old story. Just another messed up kid. Not a
one of them gave a damn about the pain and my loss and sense of always
being abandoned.
You were my best friend, Charles, my only brother.
Eleven months apart in age. More like twins. Same nose, same blue eyes,
same blond, wavy hair. You the natural athlete. Me, your equal. Remember
when I beat you at running? At everything, almost. I always have been
one competitive girl.
I still can’t believe you’re
gone, Charles. I never will.
You were my confidante, my buddy. You were the one who
always made everything right for me. You were the fun one, the good-looking
guy with the great sense of humor. I was always a little bit off the
mark, more of a loner. Always surrounded by people, always alone, since
I was a kid. That sense of aloneness and I are the best of friends.
You know how hurt I was when Grandfather died when I was 13? He was
the only one who ever told me I was pretty. You did sometimes, kinda.
Almost. In a joking way. You two were the only ones who made me feel
as if I was part of something and you are both gone. Forever.
How many times am I going to tell this story? The
doctor looks up from his note taking.
I have to ask. “Am I crazy?”
“No, you are not crazy,
Liz. You have survived a terrible accident. You have had a series of disappointments
and losses beyond anything a typical nineteen-year-old has to contend
with.”
“I once had a patient who constantly saw a Christmas
tree. All the ornaments on the tree were the faces of the women he had
slept with in the past. He saw the tree sitting in the room, no matter
where he was. From the corner of his eye, he would see this Christmas
tree when he was awake. And, when he was asleep, the ornaments would
fly off the tree with each of the women screaming at him.
“That’s crazy, Liz. You’re not crazy. You have a touch
of melancholia, that’s all.”
Melancholia, he says. What the hell? Isn’t that what the romantic
poets had? Better than being plain depressed, I suppose.
He tells me I’m sad, numb. I remember everything
about the crash. He asks me to place the memory in a box for now. I
am to imagine all that pain and place it all in an imaginary box. I
am to lock the box with an imaginary key. I am to keep the key. I can
unlock the box as I can handle the feelings and I can unlock it when
I want to open it. When I am ready. I am in control. Meanwhile, I am
to take some nice little pills in a nice little pillbox.
He asks me why I’m majoring in English Lit. Did
I find reading all that Keats and Shelley saddening? Did I empathize
with the sad things they wrote about? We discuss words. It’s like
I’m some human crossword puzzle he’s trying to solve.
I tell him I see through words. He doesn’t get
it. I run that line from Antony and Cleopatra his way, you know the
one, my fav from the Bard: “With thy sharp teeth this knot intrinsicate
of life at once untie.” He doesn’t get it. I spell it out. Life
is intrinsically intricate. Shakespeare nailed it. I tell the doc I
don’t need the medication. He tells me I have no choice.
He gives me one of those I’ve-had-enough-of-you
looks, tells me there’s nothing really wrong with me. I am to study
hard. Vanderbilt is an excellent school. It’s HIS alma mater! I am
to get on the school paper. Writing will be a good outlet for me. I
am to keep a journal, too. A girlie diary. Doing articles will help
me focus on others and a diary will help me understand my own feelings
better.
It is one of the few sensible things he says and
one piece of advice I actually follow, dear Diary.
It gets better. I am to play tennis, run, play volleyball.
Exercise the blues away - every day. Get those endorphins pumpin'.
Meanwhile, keep taking the numb pills “a while
longer.”
“What is ‘a while longer’?” I ask. “Six
more years?” I tell him just what I think about the meds.
No, no more Dr. Nice.
I am underage until I am 21.
My parents want the meds continued until I am out of school and turn
21. I have a history of suicide attempts. Lies!
He knows I WILL recover.
“What, from the medication?” I ask him.
My parents are “concerned.” And then he hits
me with, “You are not helping yourself by continuing to drink. That
works against the medication.” Doesn’t he know all students drink?
Doesn’t he know I just want to be like everyone else? He waves my
grades in front of me. I can’t believe it. He actually has a copy
of my grades.
So, I’m not like everyone else. So I’m above
average in this, outstanding in that. So what? He wants to make me believe in myself. And then he tells
me. I don’t need him. The answers are all within me. I need direction,
that’s all. Why don’t I come back in three months instead of three
weeks?
Like, YES! So the deal is I take the pills and skip
the torture.
He was right about the writing, though. It works.
I write a blog for the school. I PROMISE TO LEAVE
MY BRAIN TO SCIENCE - THE ANATOMY OF NUMBNESS. I can write, it seems.
The next time I see Dr. Nice,
I take him a blog on MELANCHOLIA AND THE MODERN AMERICAN DISILLUSIONED
ROMANTIC TEEN. I follow this up with THE GIRL CHATTERTON.
He knows I am toying with him. Is he hitting on me?
I do believe he is. Or maybe he just wants me to think he is. He’s
32 and married with a young son called Daniel. In the end, it is he
who rejects me, refuses further appointments. Says I no longer need
him.
Even my shrink.
So, dear Diary, will you reject me, too? Will you?
Should we stop this now before someone gets abandoned again? Do I stop
you right here?
I think so. (I believe this is the end.)
---------------------------- ---------------
ENTER LOVE, STAGE LEFT
Liz Snow
Atlanta, Georgia
September 2003
Hello, Diary. I am now twenty-nine,
a dangerous age, everyone says. Looking back, it’s hard to believe
that I wrote those things ten years ago.
Now here I am. Older. Still attempting to make sense
of the shattered pieces of my life. Much like the shards of a broken
mirror, my life reflects in front of my own eyes and reveals a kaleidoscope,
yet I still can’t see - me. I can’t seem to understand myself.
Item: a death - my grandfather.
Item: a death - my brother.
Item: a misguided marriage.
Item: a devastating miscarriage.
Item: an acrimonious divorce.
Liz Snow, THIS! Is your life.
At least my career is soaring.
Let there be a line drawn
here. Let everything beyond this line be a new me for Peter William Hendrix III. Be there, beyond the
line. My savior, my love. I believe I am going to marry you. You haven’t
asked me yet, but you will.
Okay, Diary, are you ready for a happy ending? You’d
better be, because that is what you & I are going to get. I swear
it.
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